{"id":922,"date":"2019-04-22T13:21:57","date_gmt":"2019-04-22T07:51:57","guid":{"rendered":"http:\/\/www.aradhanamishra.com\/?p=922"},"modified":"2019-04-22T13:21:57","modified_gmt":"2019-04-22T07:51:57","slug":"women-creators-are-turning-the-table-in-bollywood-and-how","status":"publish","type":"post","link":"https:\/\/aradhanamishra.in\/?p=922","title":{"rendered":"Women creators are turning the table in Bollywood and how!"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/www.aradhanamishra.com\/wp-content\/uploads\/2019\/04\/chhapaak.jpg\" alt=\"\" class=\"wp-image-923\"\/><figcaption>Left: Lakshmi , Right: Deepika portraying her!<\/figcaption><\/figure><\/div>\n\n\n\n<p>\u201cWhen Alia Bhatt does a Raazi, Deepika Padukone does a Piku or Chhapak, then you know something is shifting. It\u2019s great to see female-lead films, be it in terms of female cast, female directors and female producers. These are exciting times for women in cinema and storytelling, perhaps the best we\u2019ve ever seen in India,\u201d Said Alankrita Srivastava, (Lipstick under my Burkha fame director) in an interview. Her statement is totally agreeable. Women actors, directors, producers , set designers etc are re-writing the Bollywood script . No longer relegated to the background, these women are changing the Cinema milieu in India! <\/p>\n\n\n\n<p>Recently released posters of the movies \u2018Chhapaak\u2019 and \u2018Saand ki Aankh\u2019, do not only represent the respective movies but also manifest something much powerful ,that may still be underneath the surface but is just about to pop out- the actors who are no longer shy of showing themselves in unflattering, realistic ways if it helps portray the character they play, the stories that is  fresh, on our everyday life and its situations . If the character demands them to look a certain way, they are going all out to do that. Bhumi gained weight for her movie \u2018Dum laga ke haisha\u2019 , and now in \u2018Saand ki Aankh\u2019 she is playing a feisty woman shooter in her sixties. Deepika has gone all out to look her part of an acid attack survivor- in a movie she is producing as well.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/www.aradhanamishra.com\/wp-content\/uploads\/2019\/04\/saand-ki-aankh.jpg\" alt=\"\" class=\"wp-image-924\" width=\"435\" height=\"268\"\/><figcaption>No longer shy of experimentation- Taapsi Pannu and Bhumi Pednekar in Saand ki Aankh <\/figcaption><\/figure><\/div>\n\n\n\n<p>When\ndid they become this bold? When did the narrative start accommodating the\nfemale characters so actively and invincibly? Of course, we had movies like Mother\nIndia, but those were very few and far between. But increasingly Bollywood is\nsurprising the audiences with more motion pictures with women centric stories,\ntold in an honest and sensitive way. These stories are connecting with the\nclasses and masses alike.<\/p>\n\n\n\n<p>While our female lot of actors have\nbecome greedier for challenging roles (Kalki blew my mind with her performance\nin Shonali Bose\u2019 \u2018Margarita with a straw\u2019), the sensitive portrayal of these\ncharacters is also to do a lot with the shift in behind the camera scene. What was once a\nmale-dominated industry, has in recent times seen more women getting behind the\ncamera. &nbsp;Also, there are now more woman\nproducers, studio heads, publicists etc. and they are bringing a fresh\nperspective with a diversity of mind-boggling concepts. &nbsp;Not a surprise then that there is a palpable change of sensibility in the narration. \u201cAs\ncinema is a reflection of the world around us, with more women coming into the\nmainstream business, more women narratives will grab the limelight,\u201d said Zoya\nAkhtar in one of her interviews to a portal and she couldn\u2019t be more correct.<\/p>\n\n\n\n<p>We have had two-time national award winning woman directors like Aparna Sen (for\u00a036 Chowringhee Lane\u00a0and\u00a0Mr. and Mrs. Iyer<em>)<\/em> and then Deepa Mehta who breathed \u2018Fire\u2019 at a time when most of the male filmmakers took safe, time tested paths. And yet it took some considerable time for women to sort of announce that they have arrived- finally! \u00a0Somehow, with their kind of sensibilities, they are bringing much more to the table for the audience than bargained for. Unlike what most of the people perceive, for this crop of women film makers and actors, it\u2019s the story that\u2019s paramount and not the gender, age or sexuality of the characters.<\/p>\n\n\n\n<p>There is \u2018Pahuna: The Little Visitors\u2019, produced by Priyanka Chopra and directed by Paakhki A Tyrewaala and then there is Raazi, directed by another woman director, Meghana Gulzar with one of the finest performers of the recent times, Alia Bhatt.  Zoya Akhtar brought her kind of vision with movies like \u2018Zindagi Na Milegi Dubara\u2019 and most recently \u2018Gully Boy\u2019! And could we have a movie like \u2018English Vinglish&#8217; without the acting prowess of Sri and sensitive dealing of the subject by Gauri Shinde! It was a brilliant portrayal of a woman who overcame her insecurities to stand out on her own. In a way, this can very well be said about the women in Bollywood who are overcoming their insecurities and are standing out on their own. It\u2019s heartening to see the list getting longer and that too with substance. These women are shining even on the global stage, suggesting promising signs of change. In 2015, Ruchika Oberoi won the FEDORA prize for best new director at the Venice Film Festival with her first feature, <em>Island City.<\/em> Then there is Konkana , who not only dazzled us as an actress, as Mrs. Iyer but also became the second woman, After the Russian director Yuliya Solntseva, to win the best director award at Cannes for her movie \u2018A death in the Gunj\u2019. <\/p>\n\n\n\n<p>And there is Alankrita Shrivastava, who made everyone sit and notice her work in \u2018Lipstick under my Burkha\u2019. She, along with her female protagonists made one and all realize the true potential of \u2018women vision\u2019 and acting prowess! Indeed, India\u2019s women filmmakers are introducing narrative experimentation quite candidly. Leena Yadav\u2019s \u2018Parched\u2019 is another such movie that revolves around rural women in Rajasthan, challenging conservative sexual mores with much abandon. <\/p>\n\n\n\n<p>The point is, these women powerhouses are increasingly becoming the norm rather than just one-off thing and with this, stories of women have found their way from within the four walls of homes and workplace into theaters and eventually into people\u2019s heart. The best part is, these movies are no longer \u2018just the art cinema\/documentary\/short film\u2019. They are pretty much as commercially viable as the movies made by the male directors with predominantly male protagonists in stories that&#8217;s just a &#8216;make believe world&#8217; ( Why is Simmba shouting in my mind!). The preferential line for a \u2018Hero\u2019 centric movie over a \u2018woman story\u2019 is blurring and quite fast! It\u2019s no longer the status-quo for the male film makers and the male actors! <\/p>\n\n\n\n<p>Still there are miles to travel as is put across by Alankrita. \u201cI think we are very far from telling enough stories about women. We are half the population. Until half the films made, are about women, we will have miles to go. Also, there needs to be an equal number of women behind the camera.\u201d She says. She poignantly goes on to add that on top of just featuring more female protagonists, Indian cinema should \u201cchange the lens and prism through which we look at female characters.\u201d Given the ongoing male-dominated nature of Indian society, \u201cit is convenient to portray women in a way that continues to feed patriarchy \u2014 and all this is done in the name of commerce,\u201d she notes. How true! <\/p>\n\n\n\n<p>But these women are crossing all the bridges. Supporting them and their narratives are not only the emergence of much more independent and assertive Indian women on the horizon of Indian social landscape, an enlightened, exposed to the global culture audience, is also coming to their help, who want freshness in stories and the portrayal of the characters ( Just a bit off to this feature, but the debacle of movies like Thugs of Hindostan, Zero and latest, Kalank, just goes on to prove that audience today is much more smarter ). Besides that, Amazon Prime and Netflix are also making it easier for these women content creators to create and reach out to their targets globally!<\/p>\n\n\n\n<p>To sum it all, women content creators of Bollywood might have miles to walk, but the walk is no longer lonely! Table is surely turning! <\/p>\n\n\n\n<p>Copyright \u00a9 Aradhana Mishra<\/p>\n\n\n\n<p><a href=\"javascript:void(0);\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cWhen Alia Bhatt does a Raazi, Deepika Padukone does a Piku or Chhapak, then you know something is shifting. It\u2019s great to see female-lead films, [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[1],"tags":[16,49,61,83,179,214,252,282,323],"class_list":["post-922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-amazon","tag-bollywood","tag-chhapaak","tag-deepikapadukone","tag-lipstick-under-my-burkha","tag-netflix","tag-saand-ki-aankh","tag-taapsipannu","tag-women-directors"],"_links":{"self":[{"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/wp\/v2\/posts\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=922"}],"version-history":[{"count":0,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/wp\/v2\/posts\/922\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aradhanamishra.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}